The Chaperone (2019) – Drowsy

Released: 25th April
Seen: 8th May

The Chaperone Info.png

The life of Louise Brooks is a fascinating thing to learn about. She started her career as a dancer of the Denishawn School of Dancing and Related Arts in 1922, joined the troupe and would be fired in 1924. She would soon find a job working in the legendary Ziegfeld Follies in 1925 where she would be spotted by Walter Wagner of Paramount who would put her in her first movie, The Street of Forgotten Men. From there she slowly became a contract player for movie studios where she would appear in films by Howard Hawks and William Wellman, including one of the first talkies, and her iconic bob haircut was soon turned into a trend. She would soon grow to hate the Hollywood scene and went to make films in Europe and was eventually placed on an unofficial blacklist which effectively killed her career. Take a brief scroll through her Wikipedia page sometime and you’ll see just how wild her life was, filled with soaring highs and saddening lows. Even her life after Hollywood reads like the most dramatic tale, filled with bankruptcies and addiction. She even became a call girl at one point in order to make ends meet before becoming a writer, a collection of her writing titled Lulu in Hollywood was a best seller. Her life story would make for a 3 hour epic of grandiose proportions… but that would take a large amount of effort and no one wants to do that so instead, we’re going to slap some ill-fitting costumes on people who look a little bit like Louise and tell a story about her Chaperone instead.

Continue reading “The Chaperone (2019) – Drowsy” →

The Perfect Date (2019) – Maybe Not Perfect, But Good

Released: 12th April
Seen: 6th May

The Perfect Date Info.png

Yesterday I talked about a little Netflix teen comedy called The Last Summer that, while watchable, lacked a real cohesive plotline and likable characters despite the actual charm of the lead cast. It cannot be understated just how important those two things are in a teen rom-com, they basically are what will give the movie an audience that goes beyond the specific demographic that will watch every single one of those movies. So what would happen if we take a similar cast from The Last Summer, including a different Riverdale alum, but make all the characters charming and likable while also allowing them to interact through a cohesive plot that doesn’t make me want to rip my eyeballs out with tweezers? Well, that’s when you get The Perfect Date.

Continue reading “The Perfect Date (2019) – Maybe Not Perfect, But Good” →

The Last Summer (2019) – Luke Warm For The Summer

Released: 3rd May
Seen: 5th May

The Last Summer

 

No one really expects much from a teen rom-com. Not really, they’re so formulaic at this point that the second I say a teen romcom there’s only a certain amount of things that are going to happen. It’s going to involve either seniors or people between high school and college, all of whom are played by TV actors in their twenties. Every plotline revolves around this couple who were a cute pair of friends as children but now they have hormones so, therefore, they’re into each other, they go on several dates that they never actually call dates and talk on the phone until eventually, the conflict happens that’s brought on by one of them withholding an arbitrary bit of information that leads to a temporary break up that’s undone 7 minutes later with some massive gesture of affection that warms the broken heart just enough for it to mend itself and bring them back together. If you go through any of these teenage romcoms, that’s just a series of events that will happen and films stand out when they put a twist on that plot or add interesting characters with a lot of well-written jokes… or you could just not bother, that works too.

Continue reading “The Last Summer (2019) – Luke Warm For The Summer” →

Extremely Wicked, Shockingly Evil and Vile (2019) – God Damn That’s A Long Title!

Released: 3rd May
Seen: 4th May

Extremely Wicked Shockingly Evil and Vile Info.png

Even though we don’t like to admit it, on some level our society has always had a fascination with serial killers. There’s a reason why we have so many crime re-enactment shows, why there are magazines sold that talk about brutal crimes, movie monsters are inspired by some of the most evil people to have roamed this earth. One of the most infamous men to have ever disgraced the earth with his existence was Theodore Robert Bundy AKA Ted Bundy, a vile murderer who brutalised over 30 women, performing acts so disgusting to all of them that it’s impossible to believe he was ever even remotely close to human. The story of his evil is so horrifically fascinating that it’s been the source of over half a dozen movies and documentaries, a recent Netflix series that became controversial almost instantly as it seemed to fail to actually offer any actual insight beyond what we already knew. Now we have a bright, glossy, star-studded film that tries to cram every strange and disturbing detail of the demonic bastard’s crimes into 108 minutes that was directed by the same man who created the aforementioned Netflix series… and god damn do I mean it when I say they just crammed it in there.

Continue reading “Extremely Wicked, Shockingly Evil and Vile (2019) – God Damn That’s A Long Title!” →

The Aftermath (2019) – Bland

Released: 23rd April
Seen: 3rd May

The Aftermath Info.png

So, this one is going to be exceptionally hard to write about. In general, when a movie gives me a lot to work with it’s fairly easy to sit here and explain why it does or doesn’t work. A particularly good or bad film can almost create its own review through sheer excitement or revulsion. What’s a lot more difficult to write about are movies where I feel absolutely nothing, not a shred of emotion either for or against the film. A generic boring slog will always be the hardest thing to write about because while describing why the movie is a generic boring slog, I have to attempt to ensure that this review isn’t a generic boring slog… though it does help when the boring film shouldn’t actually be boring based upon its subject matter.

Continue reading “The Aftermath (2019) – Bland” →

I Spit On Your Grave: Deja Vu (2019) – This Reminds Me Of Something… Something Awful

Released: 23rd April
Seen: 29th April

I Spit On Your Grave Deja Vu Info.png

In 1978, the film I Spit On Your Grave was unleashed onto an unsuspecting public. Directed by first time director Meir Zarchi, the film was soon branded as one of the most shocking pieces of exploitation cinema to ever be released. While I Spit On Your Grave might not be the first film in the exploitation subgenre known as the Rape-Revenge film, it’s certainly the most infamous due to its brutality and the rawness of the lead performance. It’s not a great film by any means but it does earn its place in history as a piece of exploitation cinema, the likes of which we had never seen before. It was even remade in 2010 with a proper budget and filming equipment… and then Meir Zarchi decided he wanted to pick up a camera again and, since nobody tackled him to the ground while screaming ‘NO!’ loudly as they could, we ended up being saddled with I Spit On Your Grave: Deja Vu. Buckle up, this is going to hurt.

Continue reading “I Spit On Your Grave: Deja Vu (2019) – This Reminds Me Of Something… Something Awful” →

Long Shot (2019) – Exactly What It Says On The Tin

Released: 2nd May
Seen: 23rd April (Preview screening)

Long Shot Info.png

Just scroll back up a little and look at the poster again, I’ll wait. Do you notice that it’s basically the exact poster you expect it to be for almost any rom-com? Seriously, picture the standard rom-com about an awkward guy who’s a little rough around the edges (or even just completely made of edges) who falls for a woman who is so far out of his league that it’s almost funny. Sitcoms thrive on this, King of Queens, The Simpsons and Married with Children just to name a few. It’s also a big trend in movies, Adam Sandler basically made a career out of it until Seth Rogen came out and played the everyman stoner who falls for the insanely attractive woman and they fall for each other. Do you enjoy those kinds of movies? Great, then you’ll like this one and no longer need to hear my lengthy diatribe on why I also enjoy this movie… but please keep reading anyway, page views give me validation.

Continue reading “Long Shot (2019) – Exactly What It Says On The Tin” →

The Upside (2019) – There Is No Upside

Released: 19th April
Seen: 21st April

The Upside Info.png

In 2011, the film The Intouchables was released. A French film based upon real events, it told the story of a wealthy quadriplegic and a poor black man who come together and change each other for the better. The movie was a box office smash, netting 400 million worldwide and gaining enough critical acclaim and love from the audience that, at the time of writing, it ranks 39 on the IMDB list of top rated films of all time. It is a film that has resonated with its audience… but it’s in a language other than English so by the laws of Hollywood, they have to remake the film for audiences who don’t want to bother reading subtitles and in the process make a film that… exists?

Continue reading “The Upside (2019) – There Is No Upside” →

The Curse Of The Weeping Woman (2019) – Big Ghosts Don’t Cry

Released: 18th April
Seen: 19th April

The Curse Of The Weeping Woman.png

The Conjuring universe is one of the strangest cinematic universes that we’ve had in recent years. While other cinematic universes, like the one that Marvel has basically defined over the last decade, will have several standalone films that build up to a major event picture, the Conjuring Universe does things a little differently. It has the main central series which follows Ed and Lorraine Warren in their paranormal haunts (while never actually addressing the legitimate criticism that the Warren’s are basically doing an elaborate carnival act and preying on people’s fears) and then they put a creepy monster of some kind in those Conjuring movies and that monster will spin off into its own origin movie. Those origin movies tend to be painful to watch, with Annabelle being a snoozefest with no logic and even less thought put into it that basically relied on the movie Annabelle: Creation to salvage the concept while The Nun was basically average if I was being kind and if I were to re-review that film today I’d probably put it at 2.5/5 instead of a 3/5 but hey, that’s the fun thing about seeing every movie you can. The more you see the more you look back and have different opinions on different films. I have a distinct feeling though that when I look back on this film I’m going to still think it was basically a waste of time while also being a horrific waste of potential.

Continue reading “The Curse Of The Weeping Woman (2019) – Big Ghosts Don’t Cry” →

Little (2019) – Not So Big

Released: 11th April
Seen: 15th April

Little Info.png

In comedy, there is a storyline you see pop up again and again that could be described as ‘The Body Swap Film’ where one person is thrown into the body of someone completely different in order to learn a valuable lesson about who they are as people. They can also suddenly wake up in a body that’s of a very different age to what they were previously. This has given us such films as 1976’s Freaky Friday, Big, 1995’s Freaky Friday, The Hot Chick, 2005’s Freaky Friday, 17 Again and 2018’s Freaky Friday (which was also a musical, why the hell have we allowed four remakes of Freaky Friday to exist in this timeline?). It’s a very simple and standard story to tell. The main character is a bad person, someone magically turns them into someone different, they have serious emotional growth, they turn back into the person they were before only now they’re nicer. It’s sweet, it’s simple, it’s a framework that usually allows actors a chance to show off their comedic skills and Little is no different than others like it, in that it relies heavily on the lead performers to get through because it’s sure not going to be relying on the script.

Continue reading “Little (2019) – Not So Big” →