The Substance (2024) – Substantially Brilliant

Released: 19th September
Seen: 19th October

In April 2015, the show Inside Amy Schumer aired an episode titled “Last Fuckable Day” which contained a sketch featuring Amy alongside iconic actresses Tina Fey, Julia-Louis Dreyfus and Patricia Arquette. In the sketch Amy comes upon Tina, Julia and Patricia celebrating Julia’s Last Fuckable Day, the day that an actress goes from being considered fuckable to just being considered an elderly woman reserved for mother roles. It’s a hilarious and scathing indictment of the very real agist sexism that pervades the entertainment industry and how it treats women. Over the years there’s been several ways to talk about the culture’s obsession with looks, youth and fuckability in the media. Still, for the longest time the strongest indictment I saw came from this silly mid-2010’s sketch comedy series… and now we have The Substance, proving that horror is still the best genre for exploring complex concepts like this.

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Terrifier 3 (2024) – Merry Christ-mass Murder

Released: 11th October
Seen: 12th October

Two years ago something insane happened (in the world of cinema, something insane happens in the real world every other week lately). To the shock of almost everyone, a gonzo gorefest horror film was released worldwide in major cinemas and made over 15 million at the box office. Sure 15 million might not sound like a lot but when you’re made on a budget of 250K and are the sequel to an underground horror film that’s so extreme that even horror fans might wonder if it’s going too far, that’s wildly impressive. Terrifier 2 was an undeniable moment for horror, the moment we had to enter Art the Clown into the pantheon of great horror icons (and in general deliver one of the best performances of 2022. Since then, he’s only grown in popularity. He’s appeared in sitcoms, there’s merchandise with his horrific face all over it, and he’s a character in the latest Call of Duty game, it’s fair to say that he’s broken out of the underground and into the mainstream so it’s no shock that he would come back to the cinemas to remind us why Art the Clown is horror royalty.

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