Jojo Rabbit (2019) – Springtime

Released: 26th December
Seen: 30th December

So… the Nazis are back. Do you remember them? God, you probably shouldn’t because we all agreed back around 1945 that Nazi’s sucked and anyone who does anything even remotely Nazi-like was a worthless piece of excrement that we didn’t have to listen to… then the world went freaking insane and now we have Nazis again and they’re out in the open like that’s in any way acceptable. I mean, it’s good that they’re open about it so we can punch them in the face but yeah, Nazis suck and no one should ever want to be one. There’s a controversial political statement, it’s bad that Nazis are still a thing. Maybe the problem was that we weren’t making enough fun of Nazi’s, there’s only so much Mel Brooks could do after all so it’s about time someone else made a movie that not only made fun of how stupid and ugly every single Nazi actually is… but damn it Taika, did you also have to make me cry like a child while you were doing it?

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Marriage Story (2019) – Love And Divorce

Released: 6th December
Seen: 7th December

This year I don’t think I’ve been that kind to Netflix original movies. As I look back, most of the year I’ve called them anywhere between average to awful with very few bright spots on the way. It almost feels like I was picking on them but I probably wasn’t any meaner to them than any other production company, they just happen to be the one where I have to visit a site labelled with their name so it’s easier to associate them with the bad product. I can’t forget that I saw Sextuplets on Netflix, it started with their logo and the only way to see it is to go to their site. Meanwhile A Dog’s Purpose, my worst film of 2017, has associations with Universal, Amblin, DreamWorks and Walden Media and I don’t even think of it as being a movie by any of those companies, I just see a bad movie.

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