The Northman (2022) – For The North!

Released: 21st April
Seen: 26th April

The Northman  Info

Robert Eggers is quickly turning into one of the most fascinating directors in modern cinema. His directorial debut, The Witch, set the horror world alight and introduced us to Anya Taylor-Joy who is becoming one of the most sought after actors in Hollywood. It was the kind of first film that you could only dream of making, garnering critical and financial praise while establishing Eggers as the kind of artist who was able to make an intense period horror that people couldn’t get enough of… something he would prove again with The Lighthouse, a gloriously bonkers piece that proved that Eggers had some wild ideas that he wanted to test out. His first two films proved what Eggers could do on a small scale. The Northman shows what Eggers can do when he’s tasked with an epic and god damn it, it turns out he can do magic.

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Choose or Die (2022) – …Or?

Released: 15th April
Seen: 17th April

In 2018 the film Truth or Dare was released to what could charitably be called ‘mixed’ reviews. It was a film with a fun concept that held back so much that it ended up just becoming one of the blandest horror movies in recent memory. The failure of Truth or Dare is such a shame because a horror film where people have to deal with hard choices that could lead to strange supernatural death is one that has the potential to be a lot of fun, it’s the kind of schlocky idea that this genre thrives on and in the right hands it could lead to something enjoyable.

Apparently, the right hands are not the hands that assembled Choose or Die because they made a movie with that core concept that’s so convoluted it’s hard to enjoy, even though they really go through on the visceral aspect of the genre.

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FANTASIA 2021 Film Festival Review: Strawberry Mansion (2021)

NOTE: Here is my review from Soda & Telepaths that was posted back on August 12, 2021

Strawberry Mansion takes place in a world where the content of people’s dreams is subject to taxation. James Preble (Kentucker Audley) is an auditor whose job is to go through those dreams and figure out how much tax people owe for the strange things that they dream about.

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Ambulance (2022) – Crashing

Released: 24th March
Seen: 7th April

Michael Bay is a very specific kind of filmmaker. His name is basically all you need to hear before you know what the film will contain and his films all feature pretty much the same thing, shit blowing up in various ways causing various amounts of carnage (depending on the film rating he’s permitted to have) that all tend to involve characters who we can charitably call one dimensional and a soundtrack designed to make you walk out of the cinema with your ears ringing. 

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Rescued By Ruby (2022) – Adorable

Released: 17th March
Seen: 4th April

In the almost 5 years that this blog has been around, possibly the biggest target of bile has been films featuring a dog. A Dog’s Purpose was a film that won my inaugural Worst Films list about as handily as one could win such an award, the follow up A Dog’s Journey was bland enough to be a forgettable annoyance, the spin-off A Dog’s Way Home was bad enough to make an honourable mention on the 2019 worst list. Then there was Show Dogs, a Miss Congeniality ripoff that got mildly infamous for having a scene people could compare to child grooming… basically, dogs in movies are one of this blog’s enemies and I worry every time I see one so naturally Rescued by Ruby looked like it was going to piss me off… but it’s undeniably charming enough that I kinda like it so yay for progress.

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Deep Water (2022) – It’s Drowning

Released: 18th March
Seen: 1st April

The name Adrian Lynne might not be one of the most well-known directors but his impact on the film industry is undeniable. Adrian Lynne was the director of such films as 9 ½ Weeks, Indecent Proposal and Fatal Attraction, three of the biggest erotic drama/thrillers of the late 80s and early 90s. This was the period of film history when making sexy adult dramas was big business.

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