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Love Sarah (2020) – Love?

Released: 2nd July
Seen: 28th July

Love Sarah Info

It’s interesting to think that right now we should probably be inundated with movies filled with giant explosions. Tenet, Wonder Woman 1984, Black Widow, so many huge blockbusters should be out right now overwhelming our senses but sadly this year the world decided to see just how much it could mess everything up. As it stands there are no really huge movies coming out for a while, leaving a vortex that’s being slowly filled up by the films that would normally be forgotten by the mainstream, or surprise darlings like The King Of Staten Island… I mean, that’s what’s being shown down here where cinemas are open, they just seem to be filling it with whatever they can get their hands on that might normally go straight to DVD or be relegated to a seniors coffee morning screening. That’s as good a transition as I can be bothered to come up with, LOVE SARAH!

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The Kissing Booth 2 (2020) – Dry Mouth

Released: 24th July
Seen: 26th July

In 2018 Netflix released The Kissing Booth, a 2-hour long romcom that focussed around a girl named Elle Evans (Joey King) and her best friend Lee Flynn (Joel Courtney) who were born at the same time in the same hospital, a fact that is literally meaningless to the plot of the entire story. Lee has an older brother named Noah (Jacob Elordi) who is somewhat of a player with the high school girls and, naturally, Elle has a crush on him.

However, due to a list of random rules that she and Lee came up with years ago, Elle isn’t allowed to follow that crush… except she does it anyway, lies to Lee about it, they get discovered and there’s a kissing booth at the end that brings everything to the light. It’s a very generic and very dumb movie that relies on the charm of its cast that carried it over towards being watchable. It was a monster hit for the platform and so, naturally, it got a sequel… because apparently that’s something we needed.

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The King Of Staten Island (2020) – It’s Good To Be The King

Released: 16th July
Seen: 23rd July

It has to be said that one of Judd Apatow’s greatest talents is how he creates a film to support his leads. If you’re Judd’s friend and he makes you the star of his film, chances are it’s going to show off your talents in the best light possible. He made the film that turned Steve Carrell into a household name, he managed to give Amy Schumer a great comedy that shot her into the stratosphere… hell, he’s responsible for one of the last good Adam Sandler movies. His skill is undeniable and now he’s taken that ability to work with someone’s strengths to SNL regular Pete Davidson and created a genuinely great little film.

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Red Shoes and the Seven Dwarfs (2020) – Fairy Fail

Released: 2nd July
Seen: 8th July

In 1937, Disney released what many regard as the definitive version of the German fairy tale Snow White And The Seven Dwarfs. It’s certainly the version that most of us think of when we talk about that legendary fable, to the point where the question “What are the names of the seven dwarfs” is answered with “Doc, Grumpy, Sleepy, Happy, Sneezy, Dopey and Bashful” instead of the names used in the original Grimm’s fairy tale. Do you even know what the dwarfs were named in the original Grimm’s fairy tale? Trick question, they didn’t have names and were referred to either as a collective or by “The first one, the second one, etc”. With Disney’s version looming large over the history of the story, every version since then has had to try and do something to make it stand apart from the most well-known iteration of this story. Red Shoes and the Seven Dwarfs decided to be confusingly boring, which is fun.

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Emma (2020) – More Like Em-meh

Released: 13th February
Seen: 8th June

Time seems to have no meaning anymore, it really doesn’t. I could swear to you that my last review was a few days ago and I would be so very wrong because it’s been two whole weeks. Obviously, these last few weeks are not exactly the weeks where anyone wants to hear the opinion of some random Australian about whatever movie he stumbled upon but it still feels like this year is going at the weirdest pace ever. Time is meaningless, up is down, left is right and people still somehow think the phrase “Black Lives Matter” is scary. I don’t get it, I really don’t but what I do get is that I need to pick up the pace and catch up on some movies that have finally made it to VOD when their cinematic runs got cut short or abandoned in general. Today, we talk about the 2020 adaptation of Emma.

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The Lovebirds (2020) – Something For (Almost) Everyone

Released: 22nd May
Seen: 25th May

In case you hadn’t noticed, these last several weeks have been…  a lot. It’s been a couple of months now that the entire world has basically had to shut down while we deal with a minor apocalyptic pandemic and everyone is reacting differently. Some are just getting tired and depressed, some are playing a whole lot of Animal Crossing, others are outside demanding barbers open so they can get haircuts because no one loves them enough to grab a pair of scissors and snip their bangs. I’ve personally been doing the first two of those, my Animal Crossing island is awful at the moment but I clearly have plenty of time to create a little getaway where I don’t have to deal with the third kind of person. 

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The Wrong Missy (2020) – The Wrong Movie

Released: 13th May
Seen: 17th May

The Happy Madison film company logo might as well be the poop emoji for what it represents as a marker of quality. Every now and then they’ll release something decent, the corn kernel of their cinematic output that’s just overwhelmed by a monsoon of shit that spews out of that company like water from a fire hydrant. It’s almost like they’ve set a challenge to make the laziest comedies known to man and milk people’s love for a pack of former SNL bad boys as much as they can. Their films are also, effectively, creative excuses to go on long trips on company money to fancy locations where they can basically have a vacation between making what they claim is a movie. Since the end of 2015, shortly after the release of the infamously awful Pixels, every movie from Happy Madison is a Netflix exclusive but because Netflix doesn’t seem to have quality control, we get films like The Wrong Missy which are almost clinically designed to make me hate life itself.

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Spenser Confidential (2020) – Not So Condidential

Released: 6th March
Seen: 28th April

The buddy cop movie is a classic and reliable genre for a reason, the formula is so simple that if you pull it off right you will have something fun. You take two very different people, an Odd Couple if you will, and then you put them in cop outfits and make them do cop stuff. This is not a hard concept to execute and yet Netflix has already kinda screwed it up with the disastrous Coffee and Kareem which still haunts my nightmares which I have a lot more of now because I sleep more often because what the hell else does one do during a pandemic? Anyway, since Netflix either knew Coffee and Kareem was going to hurt or because they figured that no one would care if they did the same general thing again they made another buddy cop movie and this time they did an adequate job, IMPROVEMENT!

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Stargirl (2020) – Aggressively OK

Released: 13th March
Seen: 26th April

Stargirl Info

In 2000, Jerry Spinelli released the novel Stargirl to critical acclaim. The book was a New York Times bestseller, won multiple awards and even had a sequel called Love, Stargirl. It even got adapted into a stage play and has led to the creation of groups known as Stargirl Societies, designed to encourage young people to be themselves. With all this acclaim and cultural impact, a film adaptation was somewhat inevitable and since Disney is a mega-corporation with a streaming service in search of original content it seems only logical that they would be the ones to take the ball and run with it… or, in this case, take the ball and casually walk down a footpath with it while whistling music by The Go-Go’s.

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