Best Performances of 2020

2020 has been the year of never ending badness, that would be the mildest statement one could make about this year. In general, it’s been a total shitshow with very few moments of happiness… so this year seems like a perfect time to start a new tradition on this blog, because why the hell not? It means I have fresh New Year’s content and that’s always nice to have fresh content so this is me saying what I felt the best performances of the year were.

Well, I say “Best” but much like with the best films of the year list, ‘BEST” in this context really means “Performances that I liked the most”. Maybe they weren’t in the best films, some of them might actually be in pretty bad films, but they’re the kind of performances that make you want to watch any film… and this is a top 20, because it’s my blog and I can do that sort of thing!

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The Hunt (2020) – The Most Dangerous Movie

Released: 13th March
Seen: 18th April

The Hunt Info

The most controversial movie of the last decade is easily The Hunt. Easily, just based upon the reaction its trailer got alone it will go down as being one of the most controversial films in history, alongside its controversy cousin The Interview. Much like The Interview, the film became a major discussion piece throughout pop culture due to its subject matter and the trailer used to promote it. What else makes it just like The Interview? The fact that the controversy was obscenely stupid on every front and was a vast overreaction by everyone involved. Guess who gets to talk about politics in a review of a film in the year 2020? BECAUSE THIS YEAR DOESN’T SUCK ENOUGH ALREADY!

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Isn’t It Romantic (2019) – Heartwarming or Heartburn?

Released: 28th February
Seen: 5th March

Isn't It Romantic.png

This review was going to start with a paragraph that would try to discuss the concept of postmodernism, originally I would go through the concept and throw out a few assorted examples like Duchamp’s “Fountain” or the movie Scream and then create this elaborate explanation about how it’s self-critical and how no one understands it. This is how a lot of my reviews begin, a tangential observation about the general concept of the film that is meant to provide context and to have something that appears before the “Read More” text on the main page. This allows me a chance to not only give a point of reference early but to make use of a stupidly expensive degree that I will probably never get to use in any other context… and that, my dear reader, is a postmodern version of the opening paragraph to a movie that clearly is trying to be a postmodern critique of romantic comedies.

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