Everybody’s Talking About Jamie (2021) – Shantay You Slay

Released: 17th September
Seen: 27th September

In 2011 the BBC documentary Jamie: Drag Queen at 16 hit the airwaves. It told the story of Jamie Campbell, a 16 year old boy who wanted to be a drag queen and debut his drag persona of Fifi La True at his school prom. Keep in mind that back in 2011, Drag wasn’t as mainstream as it is now. At that point Drag Race, the show that would basically push the artform into the mainstream, was still a scrappy little show in its third season on Logo that would be lucky to rack up a half million viewers so going to school in drag was a big damn deal. Big enough to warrant a documentary.

That documentary then was seen by enough people to catch the eye of the West End and become a monster hit musical called Everybody’s Talking About Jamie and now the time has come for this hit stage show to turn into a movie.

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The Tomorrow War (2021) – Big Time Fun

Released: 2nd July
Seen: 1st August

The Tomorrow War Info

One of the interesting things that’s started happening over the last year and a half of the pandemic has been witnessing big film companies selling off their features to streaming services in order to ensure the biggest possible release in the current circumstances. The Tomorrow War was originally meant to be a big Christmas day release in 2020, taking the mantle of being one of the few holiday blockbusters that weren’t made by Marvel. 

Of course because last year was the year we learned “Avoid it like the plague” was a complete lie, that film had to be pushed back in release and was eventually sold off to Amazon for release on their Prime video service… and that change in venue is the biggest weakness of The Tomorrow War.

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Evil Eye (2020) – You Made A Fool Of Me

Released: 13th October
Seen: 20th October

The “Welcome to the Blumhouse” series on Amazon Prime has been something of an underwhelming series of films but I want to make one thing clear about the entire concept before we begin this final entry… I genuinely love that Blumhouse looked to four minority groups, mostly women and POC and handed them a budget to make a horror film while casting from underrepresented groups. Even if the films themselves haven’t been great, they’ve all shown how easy it is to make a film with underrepresented groups and some serious potential from the filmmakers, two big things that excite me so much. 

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