Thriller – Page 11 – Movie Meister Reviews

February 8, 2022February 8, 2022 leebutler Uncategorized

Minor Premise (2020) – Extremely Slow in the Payoff

NOTE: Here is my review from Soda & Telepaths that was posted back on December 10th, 2020

I’m sure we’ve all seen a few science fiction films before that have used the same old trope. A scientist has a great invention, they can’t get anyone else to be the test subject so they test it out on themselves and the ensuing chaos is caused by the experiment going horribly horribly wrong. It’s a trope for a reason, it works and it often leads to an interesting character in the form of the scientist and can also lead to a devastatingly emotional ending (think of The Fly remake for a prime example of this). I love a good story of a scientist being put through the wringer because of their own hubris and Minor Premise presents an interesting version of this story, albeit one that’s a little more heady than most.

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December 15, 2021July 22, 2022 leebutler Review

Pig (2021) – Some Pig

Released:16th September
Seen: 14th December

When one thinks of a Nicolas Cage performance, they tend to think of something big and crazy where Cage is going at 150% the entire time. You think of things like him screaming “Arrgh, not the bees”, you think of his wide crazy eyes, you think of someone who is unafraid to be completely committed to the most insane things he’s asked to do in any given film. Sometimes this leads to maddeningly strange performances like The Wicker Man, sometimes this leads to people using his skills perfectly for films like Mandy or Willy’s Wonderland that almost worked around Cage’s eccentricities as a performer.

Pig is a glorious reminder of the raw talent that the man has, there’s a reason he’s an Oscar winner and Pig probably should be the reason he gets a second but you know the Academy will never do anything that interesting.

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November 29, 2021July 22, 2022 leebutler Review

The Guilty (2021) – All Too OK

Released: 1st October
Seen: 27th November

While some films have large elaborate casts, there are those that are designed specifically to focus on a single performance. When these are done right, they can lead to some genuinely fascinating films with incredible central performances, we had one earlier this year with Oxygen, which bore a lot of similarities to Buried. The trick is to somehow maintain an audience’s intrigue for an hour and a half with only one performer and one location. Joining that group of films is The Guilty, a film that gives Jake Gyllenhaal a chance to show off just what he can do… interesting choice to release it around the time we’re apparently meant to hate him because a song said so, but hey that’s how things happen sometimes.

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November 27, 2021July 22, 2022 leebutler Review

Trust (2021) – Intriguing

Released: 12th March
Seen: 24th November

You know, lately we’ve had a run of seriously bad sex dramas that are less sexy and dramatic and more like painful farces designed to make us pay for our sins. 50 Shades, After, 365 Days, all of them (and their terrible sequels) sexy dramatic films designed to titillate and intrigue that mostly just get on the thinking audience’s tits. They’re not good and not fun, what ever happened to fun sex dramas? Well, looks like Trust might be just barely good enough to show that there might still be some actual creativity left in this admittedly tawdry genre.

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November 24, 2021July 22, 2022 leebutler Review

Paranormal Activity: Next Of Kin (2021) – Dead Boring

Released: 29th October
Seen: 23rd November

In 2009, the movie Paranormal Activity was given a wide release and signalled a change in Horror movies that would almost dictate what the upcoming decade would look like. Before Paranormal Activity, the Horror genre was knee deep in so-called “Torture Porn” films that relied heavily on shock and incredibly over the top violence and gore.

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November 20, 2021July 22, 2022 leebutler Review

The Night House (2021) – Good Night

Released: 19th August
Seen: 18th November

Haunting movies are always a tough one to pull off. They tend to be a little slower to start with and at times just get a little silly because of what’s needed visually to impart the idea of a ghost moving things around. It takes something pretty special to make this genre rise above just a bunch of loud noises and slamming doors… enter The Night House, something special that rises above loud noises and slamming doors.

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November 13, 2021July 22, 2022 leebutler Review

Candyman (2021) – Sweet

Released: 26th August
Seen: 11th November

In 1992 the world was introduced to one of the modern horror icons, The Candyman. The mythology behind him was simple and powerful, he was the vengeful spirit of a man killed in the 19th century for being part of an interracial relationship. He returns if his name is spoken into a mirror five times and, with a hook where his hand should be, does that thing you expect people to do in slasher films. It’s a not even slightly subtle tale about racism and after the third film didn’t do well either critically or financially the series has been on a hiatus since 1999. Well, we’re going through another grand resurgence of classic horror franchises lately with the monster hit Halloween showing that some of these series still have life in them so it makes sense that Candyman returns now when his particular kind of political horror is most definitely welcome.

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November 12, 2021July 22, 2022 leebutler Review

Don’t Breathe 2 (2021) – Take My Breath Away

Released: 12th August
Seen: 11th November

The 2016 film Don’t Breathe was one of the best horror films of the 2010s, certainly one of the most fascinating. It was dark, unapologetically so, with a creative set of visuals (That I have talked about in a previous article) and a truly fascinating antagonist in the form of The Blind Man. It was a film that let every character live in the grey area, no one was perfectly good and no one was perfectly evil. It was a fascinating little film that really pushed some buttons… so the sequel decides to play it safe and just turn The Blind Man into a hero, because we can’t have nice things.

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November 9, 2021July 22, 2022 leebutler Review

Wrath Of Man (2021) – That’s Some Good Wrath

Released: 29th April
Seen: 5th November

Guy Ritchie is one of those directors who can be a lot of fun when he really wants to be, presenting an over the top world of blokey blokes doing obscene amounts of violence to each other while yelling as many assorted curse words as they can imagine in thick English accents. When he’s at his best, he creates great things like The Gentlemen, a rip roaring grand old time that I still regularly think about to this day (especially Fletcher, one of the best characters Guy Ritchie has ever created and one of the best performances Hugh Grant will ever give in his life). When he’s at his worst, he phones in absolute garbage like Aladdin, which is still a pale, painful imitation of a classic film that didn’t need a remake. So, what does just an average Guy Ritchie film look like? Probably something like Wrath Of Man… which, hilariously, is itself a remake.

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November 1, 2021July 22, 2022 leebutler Review

Halloween Kills (2021) – This Is Halloween?

Released: 14th October
Seen: 31st October

If I were to rank my favourite horror franchises, Halloween would be in the top five. Hell, I’m sure EVERY horror fan would put Halloween up there in their top five franchise list. It’s a generally good franchise that tends to be good at delivering the scares… sure it has some down parts (Curse, Resurrection, The Rob Zombie ones) but more often than not these films are good. The last one, Halloween (2018) might be one of the best in the franchise. I certainly loved it enough to give it a glowing 4 star review and have spent the last 3 years excitedly waiting for this sequel, Halloween Kills. So, let this be a lesson for you kids, never hope for anything because you will be let down every damn time.

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