Best Performances of 2020

2020 has been the year of never ending badness, that would be the mildest statement one could make about this year. In general, it’s been a total shitshow with very few moments of happiness… so this year seems like a perfect time to start a new tradition on this blog, because why the hell not? It means I have fresh New Year’s content and that’s always nice to have fresh content so this is me saying what I felt the best performances of the year were.

Well, I say “Best” but much like with the best films of the year list, ‘BEST” in this context really means “Performances that I liked the most”. Maybe they weren’t in the best films, some of them might actually be in pretty bad films, but they’re the kind of performances that make you want to watch any film… and this is a top 20, because it’s my blog and I can do that sort of thing!

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Best List 2020

The Top Ten Best Films of 2020

Honestly, this year I almost didn’t make the best list. For months it felt like I would be pushing it and scraping the bottom of the barrel to force 10 titles to appear on the list, every seemingly great film has been moved to 2021 and what was left for the 2020 audience felt more like the kind of stuff that’d be filler in any other year. 2020 has been one of those years where it felt like finding the positives was impossible, we spent months inside and watched countries battle against fascism. If you were to ask what the highlights of the year were, most would probably say “Uh… Parasite won best picture” and that would end the list. 

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The Gentlemen (2020) – Bring It On Lads

Released: 1st January
Seen: 2nd January

For several years now, Guy Ritchie has been trying to spread out from the English crime drama/comedy films that he made his name on. Most recently he tried to take some of the elements from his old crime drama films and put them in the criminally underrated King Arthur: Legend of the Sword. He then made the just flat out criminally bad Aladdin movie and maybe those films shook him a little since people were starting to catch onto his bag of tricks and calling them out. Whatever happened with those two films, Guy Ritchie seemed to go back to what he does best… an English crime drama/comedy with a large eclectic cast of characters who drop obscenities like they were forms of punctuation. Thank goodness because this is probably the kind of film Guy Ritchie was born to make because he does it so well.

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