Hubie Halloween (2020) – Helloween

Released: 7th October
Seen: 8th October

Hubie Halloween Info

Late in 2019 during an interview with Howard Stern, Adam Sandler made what can only be seen as a threat. A threat that if he wasn’t nominated for an Oscar for his performance in Uncut Gems that he would come back to make the worst film he’s ever made, which is scary considering that he has already made a movie that got a 0% on RT and almost a half dozen films that don’t even go up to double digits. The idea of the worst film that Adam Sandler could come up with is absolutely terrifying and since he was one of the infamous snubs of the 2020 Oscars it’s been a matter of time, just waiting to see if Sandler would follow through with his threat to perform cinematic terrorism upon an unsuspecting audience. So when Hubie Halloween dropped I wondered if maybe this was it, was this going to be the worst film ever? Well, no because this started being filmed in July of 2019 before the threat was made but it’s still not that good.

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Antebellum (2020) – The Horror Of The Past

Released: 1st October
Seen: 7th October

Antebellum Info

In my review of Vampires vs The Bronx I opened with a lengthy paragraph about how great Horror is when it’s used as a metaphor for some kind of social issue. Race is one that pops up a lot in horror, the genre has always been a useful way to put that issue into ways that can be understood by all. If you would like to know more about the history of race in horror cinema I suggest you go watch Horror Noire: A History of Black Horror which is easy to find, Shudder put it up for free and I’m linking you to it so go and learn. Go and learn so then you can come back here and sit with me as I try to understand why Antebellum just didn’t work for me as much as it could’ve.

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Enola Holmes (2020) – Elementary School, My Dear Watson

Released: 23rd September
Seen: 27th September

Enola Holmes Info

December 26, 2018. A date that will live in infamy. This is the date when Holmes & Watson was released and, despite the year being almost completely finished, made a case to be called one of the worst movies of the year (a case it won, easily, since it made it on my list with 5 days to go!). It was truly a ghastly nightmare but as since then it looks like it may have done something even more sinister… it may have killed the Sherlock Holmes brand! 

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Spiral (2020) – Spinning Right Round Baby

Released: 17th September
Seen: 20th September

Spiral Info

When it comes to queer characters as the leads in horror films, I have to admit I can’t come up with many. Nightmare on Elm Street 2 may have put all the gayness into the subtext but it was still there, genuinely groundbreaking for that time (and the subject of a fascinating documentary that I may have reviewed a while ago). Hellbent was a slasher film that made the bold choice to have all the victims and even the main villain be gay men in West Hollywood. Cursed had a gay supporting character, Scream 4 had one character who claimed they were gay (It might’ve been an attempt to not get stabbed, which didn’t work) and that’s where I run out of films (I know there’s more, damned if I can name them). They’re certainly never really pushed by any big companies or made mainstream, so for Shudder to make a horror movie about a gay couple and link the story explicitly to the gay experience is pretty awesome and the film is… good.

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The Rhythm Section Promo Image

The Rhythm Section (2020) – Out Of Sync

Released: 31st January
Seen: 30th August

The Rhythm Section Info

The revenge film is a very popular and versatile film to make with one of the simpler basic plots to work with. Start with a cruel act that ends in someone dead, give that dead person a loved one who is traumatised by the cruel act, that loved one trains themselves to fight in some way and then goes after the person who hurt them. This very basic structure has led to classics like the John Wick trilogy or most of Liam Neeson’s career since the Taken movies. When done right they can be exciting thrillers that make the audience sit on the edge of their seat in genuine terror, when done wrong you get films like Peppermint or today’s selection The Rhythm Section.

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The Beach House (2020) – An Extremely Psycho Beach Party

Released: 26th July
Seen: 14th August

The Beach House Info

There’s a certain setup in horror that can either work really well or backfire painfully. You’ve probably seen it in films like mother! and it’s certainly the backbone of The Beach House. The setup is that a couple are staying at a remote location all on their own until a stranger or two turn up and the nightmares begin. Either the new people are what brings on the horror (see The Strangers) or they’re part of the nightmare itself (again, mother!) or they’re not really related to the source of the horror but are the first ones to go through it… that last one describes what happens to the new people in The Beach House, and if they’re the warning of what’s to come then the main characters are in for a bad time.

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The Last Thing He Wanted (2020) – No One Wanted This

Released: 27th January
Seen: 5th May

The Last Thing He Wanted Info

So, while I’m still learning how to effectively write these reviews, I have slowly developed a system that works for me. After I do the first paragraph (usually designed to be just eye-catching enough that if you were to scroll through my main page that it might make you want to know more) I will then stop and think about how to describe the plot. I might have IMDB open to remind me of character and actor names but I can usually come up with a decent enough plot synopsis that doesn’t give away more than I need to in order to get you to know just what kind of movie I’m talking about. The plot synopsis is always a quick thing for me, I try to keep it short and sweet because if you want a proper plot synopsis then Wikipedia is in the next tab over. I add it for context and little more than that… this time? I’m tempted to skip it because the plot is so poorly constructed that even just adding it for context feels pointless but it’s my structure now so I feel obligated to try.

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Dangerous Lies (2020) – LIEEEEEEEES

Released: 30th April
Seen: 2nd May

About a year ago I did a review for a film called Secret Obsession which was basically Netflix picking up the scraps left over from a Lifetime all-you-can-eat-buffet and turning it into something meant to resemble a film. It wasn’t exactly good and you could kind of tell what network it was made for originally but I figured “Oh well, if Netflix does a Lifetime movie every now and then that could be entertaining. Sometimes those are campy enough for a laugh” and Netflix apparently heard me and decided to make an even blander wannabe lifetime movie… I’m so ready for 2020 to be over.

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Horse Girl (2020) – Coming In In All Directions

Released: 7th February
Seen: 9th April

Normally when I write these reviews I do an opening paragraph that is intended to set the scene. Either I talk about the original text that inspired the film or I’ll talk about a cinematic trend or, in one case, talk about paint drying to create a subversive joke that can lead into the bulk of the review. Partially this is for context and it’s also done so that if people are scrolling through my page, the opening paragraph might catch their eye and make them want to read more. So, how does someone write an interesting and appropriate opening paragraph for a movie like Horse Girl, a film about a woman who is slowly being overtaken by her serious mental illness that starts as simple little obsessions and culminates in dressing like a peach-ninja and having imaginary sex with the nerdy guy from Criminal Minds? I sat here and tried to think of such an opening and ended up not having any idea, so that’s why you got that tiny bit of information about how I write this… it’s the most interesting thing I could think of because I do not know how on earth I can begin to explore this one.

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Lost Girls (2020) – Found It

Released: 13th March
Seen: 7th April

Lost Girls Info

Between 1996 and 2010, it’s believed that around 16 women who were either sex workers or closely tied to the sex work industry were murdered by someone who is currently only known as the Long Island Serial Killer. The identity of the killer has never been found and the story of how this case became known was so interesting that in 2013 it was turned into the book Lost Girls: An Unsolved American Mystery by Robert Kolker. The book rights were later optioned for a film that went through some cast changes and went from Amazon to Netflix before being released in March where it promptly got ignored because… I don’t know, we were busy anticipating the new season of the Boss Baby series. All I know is that I saw no discussion around this film whatsoever which is odd because it’s genuinely fascinating.

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