Nocturne (2020) – Creepy Concerto

Released: 13th October
Seen: 17th October

The term Faustian Bargain dates back to German legends that told the tale of a man named Faust who, while bored, called on the devil and made a deal to give Faust knowledge and magic powers. The Devil, being a swell chap, said “Sure but eventually I’m taking your soul for this” and they made a deal. Well, SURPRISE, turns out the Devil is a bit of a dick and Faust’s powers actually ended up corrupting him as a person and soon he was dead and in hell where he became the Devil’s plaything because that’s what happens when you make a Faustian Bargain. This legend is the basis of many horror stories, including Nocturne which is another entry in the Welcome to the Blumhouse Anthology which is an anthology I’m slowly realising is made up of films that Blumhouse probably didn’t think they could sell to a mainstream cinema market so they threw them on Amazon and hoped for the best.

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Annabelle Comes Home (2019) – No Dolls Allowed

Released: 26th June
Seen: 3rd July

The Conjuring universe never seems to know when to stop trying to grow. With seven movies out since 2013, the low budget horror series has become a staple of horror cinema and really resurrected the haunted house genre. It’s been stumbling a bit lately though, with last years The Nun making a lot of money but getting savaged critically (I was mostly OK with the film, but I was also really early into my critical phase) and thisyears The Curse Of La Llorona which not only did badly with critics but it’s the lowest earning film in the franchise. Sure, it still made over $100million on a budget of $9million but that movie is a sign that maybe this style of horror might not be working as well… it’s certainly getting to the point where we’re beginning to see the cracks in this franchise thanks to the repetition, which leads us nicely to Annabelle Comes Home.

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