Released: 11th April
Seen: 15th April
In comedy, there is a storyline you see pop up again and again that could be described as ‘The Body Swap Film’ where one person is thrown into the body of someone completely different in order to learn a valuable lesson about who they are as people. They can also suddenly wake up in a body that’s of a very different age to what they were previously. This has given us such films as 1976’s Freaky Friday, Big, 1995’s Freaky Friday, The Hot Chick, 2005’s Freaky Friday, 17 Again and 2018’s Freaky Friday (which was also a musical, why the hell have we allowed four remakes of Freaky Friday to exist in this timeline?). It’s a very simple and standard story to tell. The main character is a bad person, someone magically turns them into someone different, they have serious emotional growth, they turn back into the person they were before only now they’re nicer. It’s sweet, it’s simple, it’s a framework that usually allows actors a chance to show off their comedic skills and Little is no different than others like it, in that it relies heavily on the lead performers to get through because it’s sure not going to be relying on the script.