The Lovebirds (2020) – Something For (Almost) Everyone

Released: 22nd May
Seen: 25th May

In case you hadn’t noticed, these last several weeks have been…  a lot. It’s been a couple of months now that the entire world has basically had to shut down while we deal with a minor apocalyptic pandemic and everyone is reacting differently. Some are just getting tired and depressed, some are playing a whole lot of Animal Crossing, others are outside demanding barbers open so they can get haircuts because no one loves them enough to grab a pair of scissors and snip their bangs. I’ve personally been doing the first two of those, my Animal Crossing island is awful at the moment but I clearly have plenty of time to create a little getaway where I don’t have to deal with the third kind of person. 

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Little (2019) – Not So Big

Released: 11th April
Seen: 15th April

Little Info.png

In comedy, there is a storyline you see pop up again and again that could be described as ‘The Body Swap Film’ where one person is thrown into the body of someone completely different in order to learn a valuable lesson about who they are as people. They can also suddenly wake up in a body that’s of a very different age to what they were previously. This has given us such films as 1976’s Freaky Friday, Big, 1995’s Freaky Friday, The Hot Chick, 2005’s Freaky Friday, 17 Again and 2018’s Freaky Friday (which was also a musical, why the hell have we allowed four remakes of Freaky Friday to exist in this timeline?). It’s a very simple and standard story to tell. The main character is a bad person, someone magically turns them into someone different, they have serious emotional growth, they turn back into the person they were before only now they’re nicer. It’s sweet, it’s simple, it’s a framework that usually allows actors a chance to show off their comedic skills and Little is no different than others like it, in that it relies heavily on the lead performers to get through because it’s sure not going to be relying on the script.

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