Released: 18th March
Seen: 18th March
So it has come to this. On March 18th in 2021, as a result of years of campaigning under the hashtag “Release the Snyder Cut”, WB finally decided to release the Snyder Cut of the Justice League film. Now, here’s the funny thing about that, as a critic my opinion means precisely jack shit regarding this film.
Continue reading “Justice League – The Snyder Cut (2021) – Here We Bloody Go Again”
Released: 12th February
Seen: 17th February
“It’s Groundhog Day, except…” is a fairly easy way of describing most movies that feature a time loop situation, it tells everyone exactly what to expect right off the bat. For example, Happy Death Day is “It’s Groundhog Day, except there’s a killer on the loose”. Well, when it comes to describing the charmingly simple The Map Of Tiny Perfect Things, I’m gonna go with “It’s Groundhog Day, except with teenagers”… yes I did just copy my entire opening paragraph from my Palm Springs review, there aren’t many ways to open a review that has a Groundhog Day premise and this film is good but not so good that I feel the need to try hard to come up with a great opening.
Continue reading “The Map Of Tiny Perfect Things (2021) – Almost Nearly Average”
Released: 15th January
Seen: 17th January
This year Netflix announced that it plans on releasing one brand new narrative film every single week, a proposal clearly borne out of a need to build up a catalogue of films that can’t be taken away when another movie studio decides to try and make its own streaming service. On the one hand, this is a smart idea, with enough of a catalogue of its own Netflix can justify continuing as a service even if every studio pulls their film.
Continue reading “Outside the Wire (2021) – Wireless”
So, it’s only 5 days into the new year and I already have a movie that I hate/loathe/very much dislike. The not-at-all-good film Monster Hunter, which I reviewed over on Soda & Telepaths who once again have let me write for them and expel my raging bile all over everything… so go, read, enjoy
Released: 25th December
Seen: 31st December
Robert Rodriguez is one of the most fascinating filmmakers of our time. Known as the one-man film crew, he’s got a reputation for doing everything on set. Not only directing and writing, we’re talking handling the editing and cinematography and score of his films, he’ll even carry the damn Steadicam if that’s what he has to do to get the job done. He’s also very well known for working with a limited budget, preferring to come up with creative solutions to his problems rather than just throw money at it. He’s the kind of director who you always look out for because no matter what he makes, you can guarantee that it’ll be interesting in some way. Well, now Netflix has decided to get this filmmaker on their payroll and let him have some fun and god I hope this is the first of many Netflix funded Rodriguez films to come because the man knows how to make a fun family film, which is the quick description of We Can Be Heroes.
Continue reading “We Can Be Heroes (2020) – Just For One Day”
Released: 17th December
Seen: 26th December
“It’s Groundhog Day, except…” is a fairly easy way of describing most movies that feature a time loop situation, it tells everyone exactly what to expect right off the bat. For example, Happy Death Day is “It’s Groundhog Day, except there’s a killer on the loose”. Well, when it comes to describing the oddly relaxing Palm Springs, one could quite easily say “It’s Groundhog Day…. with a pool”.
Continue reading “Palm Springs (2020) – Repetitively Sweet”
Released: 26th December
Seen: 26th December
Last year we were all treated to the most elaborate superhero movie ever made with Avengers: Endgame. For all intents and purposes, that movie was a landmark moment, proof that a cinematic universe could not only be a joy to watch being built but actually climax to something. Now the way things were meant to go was that the Spider-Man movie would act as a coda, then 2020 would come along and basically remove all superheroes from the roster.
Continue reading “Wonder Woman 1984 (2020) – A Blast From The Past”
Released: 25th December
Seen: 25th December
Sometimes I wonder exactly what devil Pixar made a deal with in order to produce its films, because it’s getting to the point where their output is just consistently great. Even their worst film (The Good Dinosaur, I will not be taking arguments at this time) is better than what a lot of their competitors make and when they hit something out of the park it turns into one of the best films of all time. This year they already made one great film with Onward, which got shafted due to the pandemic, and were meant to release Soul in June. That pandemic made them pull Soul and then they had to rethink its release… enter Disney+, which now houses the best Pixar film of the year in Soul.
Continue reading “Soul (2020) – Soulful”
Released: 4th September
Seen: 23rd December
I’ve made it no secret how I feel about Disney remakes, I hate them, I hate them on a fundamental “These have no reason to exist beyond capitalism gone amuck” level. Sure, in a very real sense every remake is kind of pointless in some way, but the recent batch of Disney remakes seem to be extra pointless since they’ve taken to remaking some of their absolute classics. They don’t bother remaking things like The Black Cauldron or Oliver and Company, films that didn’t exactly do well. No, instead let’s remake classics like Dumbo, Aladdin and The Lion King… you know, that trilogy of remakes was so awful that I gave them all a joint place on my worst of 2019 list. Well, this year we add another film to the list of remakes… Mulan.
Continue reading “Mulan (2020) – I’ll Make A Film Out Of You”
Released: 10th December
Seen: 20th December
In 1983, Roald Dahl released his 14th novel The Witches and his story of a boy and his grandma going up against a coven of witches has always been somewhat polarizing. On the one hand, it’s a best selling novel that recently appeared on the BBC’s list of Top 100 most influential novels and on the other it’s been accused of being a misogynistic text ever since it released (and considering that the main villain is, essentially, every woman who isn’t a kindly old grandma and it was written by Roald Dahl… yeah, yeah that’s definitely there).
Continue reading “The Witches (2020) Witches Get Stitches”independent and curious
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