Horse Girl (2020) – Coming In In All Directions

Released: 7th February
Seen: 9th April

Normally when I write these reviews I do an opening paragraph that is intended to set the scene. Either I talk about the original text that inspired the film or I’ll talk about a cinematic trend or, in one case, talk about paint drying to create a subversive joke that can lead into the bulk of the review. Partially this is for context and it’s also done so that if people are scrolling through my page, the opening paragraph might catch their eye and make them want to read more. So, how does someone write an interesting and appropriate opening paragraph for a movie like Horse Girl, a film about a woman who is slowly being overtaken by her serious mental illness that starts as simple little obsessions and culminates in dressing like a peach-ninja and having imaginary sex with the nerdy guy from Criminal Minds? I sat here and tried to think of such an opening and ended up not having any idea, so that’s why you got that tiny bit of information about how I write this… it’s the most interesting thing I could think of because I do not know how on earth I can begin to explore this one.

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Lost Girls (2020) – Found It

Released: 13th March
Seen: 7th April

Lost Girls Info

Between 1996 and 2010, it’s believed that around 16 women who were either sex workers or closely tied to the sex work industry were murdered by someone who is currently only known as the Long Island Serial Killer. The identity of the killer has never been found and the story of how this case became known was so interesting that in 2013 it was turned into the book Lost Girls: An Unsolved American Mystery by Robert Kolker. The book rights were later optioned for a film that went through some cast changes and went from Amazon to Netflix before being released in March where it promptly got ignored because… I don’t know, we were busy anticipating the new season of the Boss Baby series. All I know is that I saw no discussion around this film whatsoever which is odd because it’s genuinely fascinating.

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Turnabout (2016) – It’s Fair Play

Released: 20th December 2016
Seen: 7th April

Some films are very complicated, with a large cast of wild and various characters who go on some convoluted quest and have to deal with some form of a serious antagonist who stands in their way and causes them a large amount of persistent trouble… then there are the films that feel like we’re just watching an hour in a couple of people’s lives. Sometimes you’re in the mood for something big and grand, sometimes you just need a little bit of character study and considering how we’re not allowed to be near actual people anymore, this seems like the right time to just enjoy a good little character piece since I am becoming that desperate for human contact.

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I Still Believe (2020) – You’re Unbelievable

Released: 12th March
Seen: 16th March

About 2 years ago I talked about a film called God’s Not Dead 3: A Light in the Darkness, a biblical sermon disguised as a film made by people who don’t know how films work. In that review, I made the point that a film is going to need more than just religion to work for me. Sure, religion can be an element, but if the entire thing is basically a sermon then I’m not going to be kind to it no matter what the religion is. Enter I Still Believe, a biopic (of sorts) about a contemporary Christian musician named Jeremy Camp and how he met his first wife while making his rise to fame. In theory, this film does what I’m talking about. Faith is a huge factor in the story but there is a story outside of the faith. In theory, I’m OK with this. In practice, it’s a hard pass from me.

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Bloodshot (2020) – More Like BloodMisfire

Released: 12th March
Seen: 12th March

In November 1992, Valiant Comics introduced the world to the character of Bloodshot. A super-soldier gifted with the ability to regenerate damaged tissue due to the nanotechnology that has been injected into his veins, Bloodshot was a huge seller with praise coming out of every orifice, strong enough that it’s still in print today with new issues of the comic coming out within the last year. The character has been rebooted a few times, appeared in other media but had yet to be turned into a movie and since now is the golden age of the comic book movie this would be the best time to make a go of it and… well, they almost have something here. Almost.

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Downhill (2020) – It’s A Disaster Alright

Released: 5th March
Seen: 8th March

Downhill Info

In 2014, the Swedish comedy-drama film Force Majeure told the story of a marriage going through a rough patch caused when an almost avalanche makes the wife and children fear for their lives while the patriarch of the family does a runner. Naturally, this leads to a feeling of “you left us to die, you colossal asshole” to go throughout the remaining family members and they must learn to deal with the knowledge that one of them is a giant hunk of shit. This film got rapturous praise, including a Golden Globe nomination for best foreign film so naturally would go through the same thing a lot of beloved foreign films does and receive a substandard American remake that removes any charm or wit and just makes it into one of the most painful things I’ve ever had the misfortune of sitting through. 

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The Call Of The Wild Promo Image

The Call of the Wild (2020) – I Hear You Calling

Released: 20th February
Seen: 2nd March

The Call Of The Wild Info

When it comes to movies featuring animals, you could say that I haven’t exactly had the best luck. In fact you could say that any time I see a dog on the poster of a film I break out in a rash and start rocking in place because I’m fairly confident that whatever I’m about to see is going to either bore, infuriate or confuse me. There was the eternally hated A Dog’s Purpose, a film I will never stop complaining about because it’s bad and deserves nothing but ridicule, along with its sequel A Dog’s Journey. There was the spinoff to those two movies that was so boring that I can’t be bothered to type the title even though typing the title would take up less space than this comedic riff about how I won’t type the title, Show Dogs literally had a scene that resembled child grooming pulled out while it was in cinemas, Dolittle was a trash fire of epic proportions. The only film of the last few years that prominently featured a member of the canine family that didn’t want to make me start setting fires was Pick of the Litter, that adorable documentary about how they train guide dogs. It’s now become a rule around here, if a film is fictional and heavily features a CGI dog then it’s going to be awful… and just as soon as I make that rule, something comes along to prove it wrong because that’s how my life works.

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All The Bright Places Header Image

All the Bright Places (2020) – A Little Dim

Released: 28th February
Seen: 29th February

All The Bright Places Info

Sometimes when I pick a movie to review (because until I can turn this into an actual job, I still get to pick which ones I see and when) it’s often based on just how much effort I feel like putting into them. If I feel like I have the time and mental capacity to fully understand and articulate the various issues in a two-and-a-half-hour-long exploration of a political structure, I’ll go find one and if I feel like I need to let out some well-earned snark, I’ll find a 90 minute animated film that gives off the impression that it’s going to be bad and go to town. Sometimes though I have the time available but don’t want to really have to think about something too heavy so thank god Netflix is there with a teen romance film where I literally need to put in zero effort because who the hell even needs to think about one of these things? So that’s what led me to pick the teen romance drama All The Bright Places, thinking “Oh, this is going to be easy. I won’t need to think or handle anything heavy, it’s a cheesy looking teenage romance” and then I clicked it and… they tried to touch on heavy subjects, why does this happen to me?

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To All the Boys I’ve Loved Before: P.S. I Still Love You (2020) – It’s nice

Released: 12th February
Seen: 26th February

To All The Boys I've Loved Before P.S. I Still Love You Info

In 2018 Netflix released To All the Boys I’ve Loved Before, a teen romance movie based on the 2014 novel of the same name. The movie itself was very sweet simple little teenage romance movie that excelled due to its sublime casting and innocent story. The entire plot revolved around Laura Jean (Lana Candor) who would write love letters to every boy she ever had a crush on but wouldn’t send them. It was basically an innocent writing exercise to get the feelings out of her system. The conflict comes when Lara’s younger sister Kitty (Anna Cathcart) finds the letters and sends them out to the named crushes. Lara wrote five letters and the first movie dealt with three of them. It was also a relatively complete story so it probably didn’t need a sequel, but we have two more letters to deal with so that’s how we got here.

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Midway (2020) – Midway Of The Road

Released: 30th January
Seen: 14th February

So… the guy who directed Independence Day and that really bad American remake of Godzilla wants us to take him seriously. Roland Emmerich, a director who only has 2 films that got above average reviews from critics, would really like it if you could look at his film Midway and say “Why, Roland, you are an artist who is right up there with all the other great war filmmakers”. I would love to say that, I genuinely would. I would love to have a fun subversive twist by ending this slightly sarcastic paragraph with the shocking reveal that this film is actually great… but I’m not a liar and “it’s average” is not enough, especially when the average Roland Emmerich film is so awful.

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