The Top 10 Best Films of 2018

Another year has come and gone, the first time I’ve been doing this for a full year (Albiet in bursts) and this has been really nice. Final year of University was good, this year I had 10K views on this blog and while that’s not a lot to some, it means a ton to me. Even when I was sitting through films I hated, I was loving that I got to do this and try and explain why you should or shouldn’t see them even if there were times that my explanations were not well worded (Working on that is my new years resolution). But, as is tradition with reviewers there are now lists to make and this list is the ‘Best’ list (AKA just the ones I liked the most but no one ever admits to that openly because ‘best’ is the term people serarch for, even though calling something ‘best’ is a very bad term for a subjective artform like film). Before we get to that, here’s the parameters for the lists we’ll be doing.

  • I did not see every film. I saw a fair few of them and was seeing them since the start of the year but thanks to final year of Uni stuff, I missed some because doing assignments came over going to movies so if something from isn’t on the list that probably should be, there’s your first potential reason.
  • Only films released in Australia in 2018 are going to be on this list. Specifically films need to have a wide release, wide enough that I can get to see them at a massive chain cinema like Event. Festival screenings are nice and all but they do not help me in this situation becuase, at the moment, I’m not paid for this. So this means films like If Beale Street Could Talk, Mary Poppins Returns, Green Book and The Hate U Give and are not eligible because, while they may have had screenings before the end of the year that I just couldn’t get too, they didn’t have a proper wide release. They’ll be eligible for the 2019 list and hopefully by then maybe Hollywood will stop being idiots and just release a movie worldwide on the same day instead of making some countries wait 3 months and then wonder why there’s piracy. Basically, if there isn’t a review on this blog about it, I didn’t see it.
  • Netflix films are totally eligible for both lists. Indeed any video on demand movie is available for scrutiny, no matter how they had to release it. If they sent it out to be viewed by an audience, then they should be ready for critique.
  • These are merely my opinions and you are absolutely entitled to disagree with me for any reason, go nuts, make your own list in the comments or question my order. That’s fine. What’s not fine is just saying “Your list sucks” with no reason behind it, critique is fine but blind attacks with no reason isn’t. Again, just my opinion.

With that said, before we get to the list, I have several honorable mentions, because this year was so good that I couldn’t be restrained to just one

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A Star Is Born (2018) – Come On Everybody, Shout Out Loud

Released: 18th October
Seen: 9th November

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There is probably no movie that’s been remade more times than A Star Is Born. It started as a film called “What Price Hollywood” back in 1932 before it got the iconic title we now know in 1937 when Janet Gaynor took on the lead role. It was an episode of the TV series Robert Montgomery Presents back in 1951. 1954 brought us the Judy Garland version of this story. Barbra Streisand had her turn at it in 1976 and now it’s Lady Gaga’s turn to take on the role of a young songwriter who falls for an older alcoholic who slowly pulls her into the spotlight and might end up taking her down with him… I look forward to the remake in 2035 when a sentient AI that sings will star in the new version.

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