So, over on the old Soda & Telepaths site there’s another little review from me that’s full of the good stuff (AKA me rambling about whatever the hell I got sent to review). Go, enjoy
So, over on the old Soda & Telepaths site there’s another little review from me that’s full of the good stuff (AKA me rambling about whatever the hell I got sent to review). Go, enjoy
Released: 29th January
Seen: 4th Febuary

So, stop me if you’ve heard this one. A man is living on his own with no real desire to be around other people, especially kids. One day out of the blue a kid ends up on his doorstep and he’s obliged to take care of the youth because something has happened to their parents. His disdain for raising children ends up slowly changing now that he finally met one and just as he turns a corner and becomes a fully functioning member of society, the parent comes back and there’s an emotional scene where everyone realises that this mysterious man is a better parent than the parent, roll credits. Yeah, that’s the basic plot of Palmer and at least a dozen other films that you can probably name (why not name them in the comments, engagement is king!) and it takes an interesting twist to make the story interesting. Palmer has such a twist and it’s pretty impressive.
Continue reading “Palmer (2021) – Surprisingly Touching”Released: 21st January
Seen: 4th February

Can we, as a society, just admit that Liam Neeson action films have become repetitive and stale? Is that a thing that we can collectively do? Hell, let’s be honest, they were getting stale roughly around the third time he played a character who had a member of his family taken. It’s now to the point where you could write a Liam Neeson action film using a madlib form, they all have the same basic plot and only change the minor superficial details. It’s always the same and every time it gets a little bit less interesting and The Marksman is just another one for the pile.
Continue reading “The Marksman (2021) – You’re Taken The Piss”So, first review of feb and it’s one that’s over on Soda & Telepaths where I talk about the indie film The Night, which is basically The Shining but through a different cultural lens and it’s really good but please read my review over there so I look all big and impressive
Released: 8th January
Seen: 22nd January

Sometimes an idea doesn’t have to be complex to be effective, it can be as simple as “Let’s throw a bunch of people in a room and see what happens” and it’ll create something fascinating. We’ve seen this in film all the time, one of the first examples I remember is a little film called Murder by Death which asked what’d happen if a bunch of fictional detectives were thrown together and tasked with solving a murder. It’s a fun way to work, to try and figure out what would happen with big personalities being put into a pressure cooker and having to interact. Of course, this can also be used to create a serious work that’s designed to grab the audience and shake them up a little bit… enter One Night In Miami.
Continue reading “One Night In Miami (2021) – Miami is Nice”Released: 14th January
Seen: 20th January

You know, normally when I write one of these things, I like to think my feelings match the quality of a film. I like good films, I don’t like bad films and I can usually explain what they did wrong that I didn’t like. Even films that I’m in the middle about, the 2.5-star films that have no effect on me are ones I can express why it’s in the middle. Ammonite is different though, a first for me on this blog because it’s a film that I can look at and admit that it’s well made and well acted with an interesting story and a lot of elements that I have actively begged for in movies… but I just didn’t like it one bit.
Continue reading “Ammonite (2021) – Ammono”Released: 14th January
Seen: 19th January

If you were to make a list of locations that horror movies take place in, The Woods would probably be somewhere near the top of that list. Something about being in the great outdoors, surrounded by trees and being far away from modern civilisation lends itself well to a horror scenario. Films like Cabin in the Woods, Evil Dead and Friday the 13th have all shown that surrounding a bunch of young people by a seemingly endless amount of trees and leaving them to deal with some form of serial killer can create a terrifying ordeal… you can also have films like Hunted, that work on some level but not as many as it should.
Continue reading “Hunted (2021) – Little Blood-Red Riding Hood”Released: 15th January
Seen: 17th January

This year Netflix announced that it plans on releasing one brand new narrative film every single week, a proposal clearly borne out of a need to build up a catalogue of films that can’t be taken away when another movie studio decides to try and make its own streaming service. On the one hand, this is a smart idea, with enough of a catalogue of its own Netflix can justify continuing as a service even if every studio pulls their film.
Continue reading “Outside the Wire (2021) – Wireless”Released: 14th January
Seen: 18th January

The list of musicians that decided to try their hand at directing a film isn’t exactly large, especially in comparison to musicians who’ve acted in a film. People like Rob Zombie and Barbra Streisand proved that you could make big waves in music and be a respected director… then there are people like Madonna and Fred Durst who proved that sometimes you should probably stick to music. So, where does Sia fall in this- second. She’s in the second group, she should just stay in the world of music because if this film is an indication of what she’ll offer to cinema, I’d rather she stuck to music.
Continue reading “Music (2021) – Tone Deaf”Released: 11th January
Seen: 12th January

In the 1980s, the decade of greed and excess, the drug of choice was cocaine. The white powder that filled the noses of everybody who was anybody was almost a status symbol, you can’t tell a story about the 80s without someone at some point saying “And then we did some coke” because it was that ubiquitous. Of course, like all things, there was inevitably a cheaper and more effective version available known as crack. Crack cocaine was instantly deemed the worst thing you could do, and this documentary points out the consequences of that.
Continue reading “Crack: Cocaine, Corruption & Conspiracy (2021) – This Doc Is Wack”independent and curious
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