Since I’ve been doing catchup on Oscar films, Nomadland was inevitable… and I did it on Soda & Telepaths because I was going to get to a screener with them before *gestures at plague*, but once I saw it I was happy to post it there so go read and enjoy my thoughts on this obvious Oscar film
Over on good old Soda & Telepaths, I wrote about the third episode of the hit series Falcon & The Winter Soldier… Zemo is becoming too precious, stop making me love him!
When it comes to the Oscar race this year for best animated film, it feels like Soulis the foregone conclusion. It’s kind of hard to beat a film that was so funny and poignant with such impeccable visuals and was such a cultural event. However, the race isn’t quite over yet and I would like to offer a wild card entry that might sneak in at the last minute, that being the Netflix original film Over The Moon.
In 2012, author Katherine Applegate released The One And Only Ivan. The novel was based on the real story of a circus gorilla named Ivan who was kept in the middle of a shopping mall until a large petition and the threat of a massive boycott got him transferred to a zoo where he would have something resembling actual freedom. The book was a smash hit, winning several awards and appearing on several “must read’ lists so an adaptation was inevitable and Disney just happened to be the ones to do it… and their version got nominated for an Oscar, hence why we’re talking about it.
Of all the Oscar films this year, there are a few that are actually making history for who is nominated, from the first film with an Asian woman director to be nominated for best director (Nomadland) to the first film with an all-black producing team to be nominated for best picture (Judas and the Black Messiah, which I hope I get to see before the ceremony). Another history maker, and I can’t believe it’s taken 93 years to get to this, is the first Asian American man to be nominated for Best Actor. Steven Yeun earns his place in film history just for that alone, but he also earns it by delivering a beautiful performance in the film Minari.
Aardman Animation has a long history of creating some of the greatest animated works around. Their unique and iconic style has been a constant ever since the early Wallace and Gromit shorts were delighting kids in the early 90s (oh god I feel old). Since then they’ve become a standard-bearer in the world of claymation and their cinematic efforts have been constantly joyful, from the iconic Chicken Run (which is getting a sequel soon, now with 33% less angry anti-semite!) to the gloriously silly Curse of the WereRabbit. This year they’ve given us the second film in the Shaun the Sheep franchise and… oh my god it’s the most precious thing!
Soda & Telepaths had me do a nice little retro review of the worst entry in the Halloween franchise, Halloween Resurrection… though I’m unsure they knew it was the actual worst when they asked for it. Go see me complain about it for a large amount of words, because that movie is still awful even 20 years later.
Well if you head on over to Soda & Telepaths you’ll find out that I went and wrote a big long recap of the latest Falcon and the Winter Soldier episode, just in time for you to catch up before the new one (aren’t I lovely?)
So it’s finally getting towards the most average time of a film critics year, the month before Oscars come out when we have to play catch up on movies that we missed so that we can take part in the cinematic discourse of which films are the best films of this weird, weird year.
So the new thing I’m doing over on Soda & Telepaths is recapping and reviewing the hit series The Falcon and Winter Soldier, because I need more things to write about apparently.