So it’s finally getting towards the most average time of a film critics year, the month before Oscars come out when we have to play catch up on movies that we missed so that we can take part in the cinematic discourse of which films are the best films of this weird, weird year.
So the new thing I’m doing over on Soda & Telepaths is recapping and reviewing the hit series The Falcon and Winter Soldier, because I need more things to write about apparently.
Once again Disney has done a weir business thing that only Disney could probably get away with, time once again to deal with the issue of the Premier Access where Disney expects an extra 30 bucks on top of their current streaming price in order to vide a movie, in this case Raya and the Last Dragon. They did this recently with Mulan(interesting how it’s only been the films with mostly Asian casts that get this treatment, not sure what that says but it’s an interesting trend) and back then I couldn’t justify it… I also couldn’t really justify this, but it was also in a local cinema and I genuinely believe that’s the best way to properly enjoy the visual spectacle of Raya and the Last Dragon
Oh lookie, another day and another Soda & Telepaths review, this time off the upcoming episode of Hulu’s Into The Dark series (which looks like a cool series that I need to catch up on somehow, cos the only way this Aussie could see any of it was somehow getting a review copy). Anyway, ENJOY
So it has come to this. On March 18th in 2021, as a result of years of campaigning under the hashtag “Release the Snyder Cut”, WB finally decided to release the Snyder Cut of the Justice League film. Now, here’s the funny thing about that, as a critic my opinion means precisely jack shit regarding this film.
It might seem weird to the younger generation who only know him as the voice of Donkey from Shrek but back in the 80s it seemed like Eddie Murphy could do no wrong. After his sensational turn on SNL he took over the cinema landscape. For pretty much the entire 80s, if you saw Eddie Murphy’s name on the poster then you were guaranteed a great time. His movies weren’t just hits, they were juggernauts.
Seen as part of the Sydney Mardi Gras Film Festival (Online Screening)
The Prison Industrial Complex is a topic that’s been touched on by many truly fascinating documentaries for a reason, it’s an obscenely messed up system that is often used capriciously against POC and queer people who are just trying to live their lives. In the US it’s particularly awful, they have the largest number of prisoners on the planet and it’s disproportionately people of colour (largely black and Latin men).
So Hollywood is kind of realising that relying on $100 million dollar films to turn an even bigger profit is an unsustainable business model right now. Thanks to the plague that everywhere but America is taking seriously right now, no one wants to go to cinemas at the moment which means that giant budget films are losing large amounts of money.