Texas Chainsaw Massacre (2022) – This Blade Is Dull

Released: 18th February
Seen: 20th February

Texas Chainsaw Massacre Info

There has been a trend in horror films lately where a classic slasher franchise will do a sequel starring the original cast set about 40 years after the original film that ignores every other sequel that came before it. This trend has given us absolutely brilliant films like the 2018 Halloween and it’s given us reasons to despise the very concept of cinema with things like I Spit On Your Grave: Deja Vu. It’s a high risk-high reward concept because it will pull in fans who want a heavy hit of pure nostalgia but you then have to give them a film that somehow honours the original while also being something new and fun. Texas Chainsaw Massacre does none of that, it just exists in a boring way that makes me wonder why this franchise keeps on going.

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Lava (2021) – It’s De-Lava-Ly

NOTE: Here is my review from Soda & Telepaths that was posted back on March 17th, 2021

The story of Lava starts like a lot of weird stories begin, with a trip to the tattoo artist. In this case, the tattoo artist is Deborah (Janeane Garofalo) who is trying to live a normal life like any other person of this generation. She goes to work, tattoos people, then comes home to hang out with some friends and watch a pirated copy of the latest episode of Game of Clones (which is apparently just like Game of Thrones but with sentient vegetables, if the Veggetales people could get on making that a reality I would be very happy).

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The Stylist (2020) – This Style Is In This Season

NOTE: Here is my review from Soda & Telepaths that was posted back on March 2, 2021

Claire (Najarra Townsend) is a shy young hairstylist who spends her days giving other people a chance to feel good about themselves, something that Claire has seemingly never had about herself. She will often find herself imagining what life must be like as some of her clients who appear to lead such perfect lives… and when imagining doesn’t do the job, she’ll drug them, scalp them, wear the scalp in place of a wig and use that to help her pretend that her life is as glamorous as those she helps.

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Lucky (2021) – Luck Repeats Itself

NOTE: Here is my review from Soda & Telepaths that was posted back on March 2, 2021

Lucky starts with a premise that’s slowly growing more familiar with every passing usage of it. May (Brea Grant) is a self-help author living with her partner, Ted (Dhruv Uday Singh), and having what could be considered a relatively comfortable life when suddenly a man breaks into their home.

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Spencer (2022) – Better Than The Musical

Released: 20th January
Seen: 14th February

Spencer Info

Telling the story of the life of Princess Diana is never going to be easy, in part because she was one of the most well documented human beings in history thanks to the paparazzi who were ultimately implicated in her death but also because her story is ultimately one of utter tragedy, she’s a Disney Princess who was overwhelmed by the harsh reality and eventually torn down by the very glamorous lifestyle that nobility promised.

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Shook (2021) – Much More Interesting Than Its Title

NOTE: Here is my review from Soda & Telepaths that was posted back on February 16, 2021

The world of social media fame is… weird, to say the least. Some people require years of training in a specific skill in order to get fame, other’s can just look pretty and do a good smokey eye and get a million Instagram fans. That second one would describe Mia (Daisye Tutor), a social media ‘celebrity’ with a huge number of followers and a very specific brand that she puts forward to those followers.

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The Lost Daughter (2021) – Found It

Released: 31st December 2021
Seen: 13th February 2022

The Lost Daughter Info

In 2006, the Italian novel La figlia oscura by Elena Ferrante was released. Eventually translated in 2008, the book got the English title of The Lost Daughter. This year at the Oscars the film adaptation of this would only receive three nominations, two for acting and one for the screenplay which honestly feels like a lot less than it deserves but considering the material, they’re definitely the best categories for a film like this.

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Belfast (2022) – Bel-slow

Released: 3rd February
Seen: 11th February

Belfast Info

In August of 1969, there was a series of riots in Belfast that started a 30 year conflict colloquially known as “The Troubles” or the Northern Ireland Conflict. Without going into detail (cos I suck at history), the short version is that it was effectively a civil war between Catholics and Protestants that made life hard for those caught in the middle… one of those people was a young Kenneth Branagh who was only 9 when his family left Ireland and moved to England in order to escape from The Troubles.

When you live through something like that and grow up to be an influential filmmaker like Kenneth did, it feels inevitable that you might turn that period of your life into a film at some point and with Belfast, Kenneth did exactly that… so god it’s going to be awkward to say I’m on the fence on this one.

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Summer of Soul (…or, When The Revolution Could Not Be Televised) (2021) –

Released: 19th November, 2021
Seen: 11th February, 2022

Well, the time has come for one of the more interesting months of the year, that being the month where I desperately try to catch up on all the Oscar-nominated films that I somehow missed because they all seem to be released around the time the nominations come out. No idea how this is going to work for this year, hopefully, we’ll be able to get through everything but that’s why you’re going to see a whole bunch of 2021 films being reviewed fresh in 2022… fortunately, the first cab off the rank is the absolutely brilliant documentary Summer of Soul (…or, When The Revolution Could Not Be Televised).

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