Choose or Die (2022) – …Or?

Released: 15th April
Seen: 17th April

In 2018 the film Truth or Dare was released to what could charitably be called ‘mixed’ reviews. It was a film with a fun concept that held back so much that it ended up just becoming one of the blandest horror movies in recent memory. The failure of Truth or Dare is such a shame because a horror film where people have to deal with hard choices that could lead to strange supernatural death is one that has the potential to be a lot of fun, it’s the kind of schlocky idea that this genre thrives on and in the right hands it could lead to something enjoyable.

Apparently, the right hands are not the hands that assembled Choose or Die because they made a movie with that core concept that’s so convoluted it’s hard to enjoy, even though they really go through on the visceral aspect of the genre.

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FANTASIA 2021 Film Festival Review: Strawberry Mansion (2021)

NOTE: Here is my review from Soda & Telepaths that was posted back on August 12, 2021

Strawberry Mansion takes place in a world where the content of people’s dreams is subject to taxation. James Preble (Kentucker Audley) is an auditor whose job is to go through those dreams and figure out how much tax people owe for the strange things that they dream about.

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Ambulance (2022) – Crashing

Released: 24th March
Seen: 7th April

Michael Bay is a very specific kind of filmmaker. His name is basically all you need to hear before you know what the film will contain and his films all feature pretty much the same thing, shit blowing up in various ways causing various amounts of carnage (depending on the film rating he’s permitted to have) that all tend to involve characters who we can charitably call one dimensional and a soundtrack designed to make you walk out of the cinema with your ears ringing. 

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Everything Everywhere All At Once (2022) – Absolute Perfection

Released: 14th April
Seen: 6th April (Advance Screening)

Everything Everywhere All At Once Info

The concept of the multiverse has been a pretty major part of the cinematic landscape recently, largely thanks to the MCU using it as part of their recent romp through nostalgia. It featured heavily in the still stunning Spider-Man: No Way Home and will be brought up again in the Dr Strange sequel that also uses the word as part of its title, Multiverse of Madness.

It’s a fascinating concept that can have so many uses but if we’re being honest, the MCU is using the multiverse mostly for nostalgia blasts. That’s the multiverse on easy mode… Everything Everywhere All At Once is the multiverse on hard mode and its chock full of glorious batshit insanity combined with absolute pure wonder and I love every single second of it.

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The Bubble (2022) – Confined

Released: 1st April
Seen: 5th April

The Bubble Info

Looking back on the last two years of the pandemic and how it’s impacted the movie industry, it’s legitimately stunning that we didn’t see more closures of cinemas and studios. The number of films that were even able to shoot during the pandemic was dramatically lower than usual and a lot of films seemed to think they needed to be about the pandemic and so many of them were bad.

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