Like A Boss (2020) – You’re Fired

Released: 23rd January
Seen: 2nd February

The phrase ‘like a boss’ dates back to 1993 when rapper Ice Cube wrote the lyric into his song “Really Doe”, using the phrase to imply that something was being done with confidence. The lyrics “Out like a boss, with a half-pint of sauce” would create a phrase that would continue to be copied by rappers for years, until a bunch of white guys put it in a comedy song on a Saturday night program and the phrase ballooned in popularity because that’s what tends to happen when something originates in black culture and then the white people appropriate it. Now the phrase is so ubiquitous that it’s printed on mugs sold to bored people in discount stores who want to believe that one day they’ll actually be the boss when the reality is that they’ll probably be a worker drone until the day they die of liver failure from all the vodka they secretly slipped into their like a boss mug… I know, morbid and pointless opening, you try thinking of a way to open up a review on a movie like this. It’s either talk about the origin of the phrase that makes up the title or discuss various brands of paint that I’d like to see drying, pick one.

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I Lost My Body (2019) – And No Body Lost Me

Released: 29th November (2019)
Seen: 1st February

Netflix really has been trying hard to push some good high-end properties lately, which is a nice change from what was scarily becoming a pattern that would leave me screaming “Why did you pay money for this?”. Partially they do this because they know that other services are popping up that’ll offer high-end products that they will inevitably need to compete with and the best way to prove that is to own properties that will get them Oscar nominations. They don’t even need to win, they just need the nomination. You can tell their attempt has worked pretty well since this year Netflix has almost a half dozen films nominated for some award. Best Animated Feature contained two of those nominations, the first being for Klaus and the second for this weird little gem that’s… well, it’s different, I’ll give it that much.

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Klaus (2019) – Happy Belated Holiday

Released: 15th November 2019
Seen: 1st February

Over the last year of this blog, I’ve done my best to see everything, in part so that when the time comes to do Oscar Predictions I’ll be able to say that I saw all the major films nominated. This was my intention from the start since I started reviewing specifically because I had somehow missed all the best picture nominees when La La Land won in 2017 (I turned it off after then, I’m sure they made a great acceptance speech). So now we’re a little over a week away and it turns out I missed a few films so I’m going to do my best to catch up on what I’m able to, starting with the animation nominees who I missed… and I now wish I had seen this one on its release so I could’ve started a Christmas tradition because it feels like the kind of movie that will be watched every single year by many people.

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A Beautiful Day In The Neighborhood (2020) – Kind And Awesome

Released: 23rd January
Seen: 29th January

Mister Rogers’ Neighborhood never made the journey down to the shores of Australia. As far as I am personally aware, as much as I can tell from my research, none of the 912 episodes of the PBS program ever aired on any of the networks that were broadcasting in Australia at any point during its incredibly long run. This period of time when Mister Rogers was inviting the children of America to visit him in his neighborhood started long before my life began, and ended in the 2000’s without me ever once being able to sit down and see the legendarily kind man walk into his home and change from a work jacket and work shoes into a red jumper and pair of comfortable sneakers.

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The Grudge (2020) – There’s A Croaking Sound Outside

Once again I have written a review for an outside source and have decided to link to it here, in part so that those who get email notifications can know where to look for my latest work and also to maintain the “One post a day” that seems to allow the views on this blog to rise (Turns out taking two weeks off after the most popular posts of the year can result in taking the view count… fun)

Anyway, the fine people at Soda & Telepaths once again asked me to review something for them, The Grudge… I now hold the notable honour of giving the lowest score ever on that site, so I’m pretty proud of that. Go see it, I did not like that film and I need to warn the people about why it’s a bad film.

Spies In Disguise (2020) – Bond-Lite, For The Kiddies!

Released: 1st January
Seen: 28th January

In 2009, Lucas Martell released a short animated film called Pigeon: Impossible. The short was simple, a secret agent sits on a bench about to eat a bagel when a pigeon comes by to take it, there are some mishaps with a computer in a briefcase and a whole lot of slapstick comedy. It’s a pretty fun little short film that clearly caught the attention of some people at BlueSky Animation because that little short film directly inspired this little animated spy comedy and in doing so created a genuinely fun little film that just oozes with charm.

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My Spy (2020) – ’90s Reject

Released: 9th January
Seen: 28th January

About a month ago I reviewed Playing With Fire and in that review, I discussed this strange phenomenon where wrestlers who become actors have one big thing in common. They all end up headlining a very bad kids’ movie. Sure, a lot of actors end up appearing in one bad kid’s movie because it offers them an easy paycheck and it’s a movie they can take their children to go see so they can prove they have an actual job but wrestlers almost make a sport out of it. Our latest addition to this is Dave Bautista who I kind of hoped wouldn’t have to do this because he has the Guardians of the Galaxy and Avengers movies which would be enough to show any future children that he was cool. He didn’t need this, he didn’t need this to be the first major thing he did after Endgame (Stuber came out BEFORE Endgame, if you can believe it). I’ll give it this much, it’s not as painful as that thing Robert Downey Jr decided to do after Endgame.

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1917 (2020) – One Hell Of A War Film

Released: 16th January
Seen: 26th January

The very first Best Picture Oscar winner was the War film Wings, way back in 1928. Since then a grand total of 16 War movies have taken home the little gold statue for Best Picture. Considering only 91 of those statues have been handed out, for 16 of them to go to films about war is pretty big. War films can be epic or personal but they are usually very Oscar Baity, full of big dramatic performances that are fantastic to put on a reel while names are announced for big awards. This year’s big war film is 1917, currently, the most likely Best Picture winner (though I’ll have full thoughts on that in a few weeks) which recently took home the Best Film at the Golden Globes. My big worry, when I walked in, was that this was a film with a lot of style that would end up treading the same waters we’ve seen in dozens of other war movies, so imagine my surprise when this epic war drama turned out to live up to its impressive hype. That never happens.

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True History of the Kelly Gang (2020) – Liiiiieeeesss

Released: 26th January
Seen: 26th January

True History of the Kelly Gang is a lie. It’s a work of fiction based upon the novel of the same name written by Peter Carey. The original novel pretends to be a journal written by the real Ned Kelly but is a highly fictionalised version of the story. Claiming to be told by Kelly to his daughter, the book spins a yarn about one of Australia’s most infamous historical figures. Adapting it to a movie is certainly not something to be taken lightly, a story about a real figure that is full of lies meant to try and reveal a greater truth about the man is not easy to translate to film. Clearly, it’s not easy at all because the film doesn’t work as well as I wanted it to.

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Bombshell (2020) – Explosive

Released: 16th January
Seen: 23rd January

If I had to put a label on it, I’m what you might call a leftist, I believe in a lot of left-wing causes, particularly in regards to things like LGBTQIA+ rights and the rights of other minority groups and like all good left-wingers I hate Fox News. I hate them, I hate everything about them. I really hate Rupert Murdoch and have since before he scarpered off to become a US citizen and help to change the news landscape forever by taking what he had already done with the Australian and British news media and turned it up to 11. Why am I opening with this? Simple, I need you to know my biases before we go on. I need you to be aware of where my head was when I walked into this movie. I always do my best to walk in with an open mind on just about everything I review but there are times when I know there’s a bias that will in some way alter my judgement. Being impartial in regards to a film is a pipe dream anyway, there is no such thing as an impartial review. If you want a review that doesn’t in some way reflect the politics and beliefs of the author… well, you don’t actually want a review, what you want is a plot synopsis written by the studio itself. This film is a political film that deals with a political company and a political issue, therefore the viewers politics will shape on some level how you view the film and it would be a fools errand to pretend otherwise. Please note that this does not mean I want to be involved in a political debate, not only because I’m exhausted with those (It’s 2020, aren’t we all exhausted?) but because even if you somehow changed my mind right now that would not impact my mindset walking into this film which is why I’m bringing it up at all. I’d rather just get all that out in the open now so you can consider it when you read what follows and how much of it you feel would be relevant to you. Oh, one more tiny bit of bias… I’m sincerely happy that Roger Ailes is dead and by the time you finish watching this movie, you’ll probably feel the same way I do.

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