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Ghost Stories (2020) – Boo!

Released: 1st January
Seen: 4th January

The anthology film is a sad rarity nowadays, especially in Horror. Horror used to be a haven for great little films that told several short scary stories but we haven’t had a truly great one in a while, the last one I can remember being truly special was the V/H/S series (I’m aware Nightmare Cinema came out last year to decent notices but I haven’t been able to see that one yet). The big thing that makes these films particularly special is how they link together. That connection is what takes something from a series of short films to a cohesive anthology film. V/H/S did it with the gimmick of every story being done in a found-footage style, a simple little gimmick but an effective one that allowed each story to flow naturally between each other and made it feel more like a single film rather than a series of shorts. Netflix is now having a go at it by distributing the movie Ghost Stories and… oh boy.

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The Gentlemen (2020) – Bring It On Lads

Released: 1st January
Seen: 2nd January

For several years now, Guy Ritchie has been trying to spread out from the English crime drama/comedy films that he made his name on. Most recently he tried to take some of the elements from his old crime drama films and put them in the criminally underrated King Arthur: Legend of the Sword. He then made the just flat out criminally bad Aladdin movie and maybe those films shook him a little since people were starting to catch onto his bag of tricks and calling them out. Whatever happened with those two films, Guy Ritchie seemed to go back to what he does best… an English crime drama/comedy with a large eclectic cast of characters who drop obscenities like they were forms of punctuation. Thank goodness because this is probably the kind of film Guy Ritchie was born to make because he does it so well.

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The Top Ten Worst Films of 2019

Well, here we are. The end of 2019 and we’ve gotten all the positive feelings out of our system, leaving us with a thick bile that needs to be expelled. That’s kind of how I feel about these lists, it’s more of a way for me to vent and purge out all the excess bad feelings I had towards some of the worst films of the year. Just need to get this out so I’m prepared for the year to come… and because I find it’s good to acknowledge just what mistakes were made over the last year, but mostly it’s just venting about things that’ve been bugging me for a while now and if we’re being honest, worst lists tend to just be venting by people who need a good bit of content. The rules I used for my best list carry over to this list too, go look at that list to check up on what those rules are (and to see if any films I liked match up with yours, because I thirst for views and attention) but first, some dishonourable mentions

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The Top Ten Best Films of 2019

Looking back over the last 12 months, this has been a great year for movies. While the lows have been stunningly shocking, the heights have proved us just what this medium can do when it’s at its best. It’s the first year I will really look forward to the Oscar nominees because this year is going to give us some absolute classics and the most random batch of movies in that best picture spot. We’re now here to look back and talk about the 10 best films of the year… and by best I mean “The ones I like the most” because these lists are always subjective, there is no objective way to view and rate art but saying “Top 10 Films I Liked The Most” is not a good title for Google’s algorithm. Hell, I have enough that I liked this year that I could easily do a Top 20 without breaking a sweat (as the honourable mentions list will prove). So before we do this, ground rules time.

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